No, Everything Was Not Illuminated
In fact, nothing was illuminated, brightened, irradiated, or elucidated. I have finished Everything Is Illuminated (Jonathan Safran Foer). I was advised not to read this by a friend and against her advice, pursued it. I regret this. I'm no book reviewer and am quite fond of lists so here are my problems with Foer's novel.
- I need to like the characters to like the book. As I said about Slaughterhouse-Five, Billy Pilgrim was not likable. In this book, the self-titled character Jonathan Safran Foer (see #2) is hardly a character at all. And I know what you'll say next: the book isn't about him! Okay, fine. I didn't particularly like Alex/Sasha/Shapka or his grandfather. As for the flashbacks, Yankel D was a bright light but it ends there. The (other) grandfather with the dead arm that slept around? First of all, he's 10 and he's sleeping with old women and that's a red flag. Second, why did the women find his dead arm so arousing? I guess I'm immature so I apologize for my shortsightedness.
- Foer, you couldn't think of another name for your character? Really? Even after all that bs you put me through with blank pages, flow charts, repeated phrases, and page-long ellipses (see #3)?
- It's like you are trying to emulate Dave Eggers' A Heartbreaking Work of Staggering Genius with the "more-than-words" approach to the book. It was successful in Extremely Loud and Incredibly Close but you missed the mark here.
- I don't think I could summarize this book. He tried to do too much here and to connect to many strings and stories.
- With three percent left in the book (I read it on my Kindle) I came across a beautifully written passage (that I won't post as to not fool you) and read it out loud to my mom. It then occurred to me that this was the first time in the book where I had that feeling of needing to share the words with someone else, needing to share the beauty of the words. It shouldn't take ninety-six percent of a book to get there.
Avoid, like the La Quinta in Charleston, at all costs.
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